After Jan van Eyck, Rogier van der Weyden (d. 1464) was the most celebrated painter of his day. Strongly influenced by his master Robert Campin of Tournai, he settled in Brussels. Sharing many of the same artistic aims as Van Eyck, Rogier was additionally a supreme visualiser of emotion, as evidenced by his masterpiece, the great Descent from the Cross now in the Prado. His designs were wide-ranging and highly influential, from the magisterial Last Judgement in Beaune to his stylish court portraits.